Textile circularity is not a 21st-century innovation. It is the rediscovery of practices woven into craft traditions across the world for centuries. Japan's Boro patching and Sashiko stitching, Bengal's Kantha quilts made from layered worn-out saris, Sindh's Ralli quilts, India's Chindi rugs, Western patchwork quilts, Scandinavian rag weaving, Panama's Mola applique, and the humble rag doll are all independent cultural responses to the same instinct: a piece of cloth has more
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